Back in L.A.

My wife and I spent the last few weeks in New York for the Thanksgiving break, and I hope each of you enjoyed the holiday as much as we did.

To be honest, I wasn't looking forward to my return to Los Angeles. The strike is still on, and despite a few meetings here and there, it looks as though it won't come to an end anytime soon.

The Broadway strike, on the other hand, came and went quickly. Perhaps because ticket sales are most crucial during the holiday season, the theatrical business people were more willing to set aside their differences and let wisdom prevail. Thank God, and them, for it, as the strike's end gave my family an 11th hour chance to catch a few shows.

But the corporate heads in Hollywood don't have such wisdom, and certainly not much empathy. Unlike the Broadway strike, which isn't just about a few shows running in a few theaters, but an age-old tradition so much a part of the identity and creative spirit of New York City itself, the WGA strike doesn't have roots in a community as much as it does in a business. And with that, it's going to be a long, hard fight -- one that I think everyone who works in this industry will suffer from, if not lose.

Now that I'm back, though, and with a lot more time on my hands, this is an ideal time for me to read and review your scripts. So, without further ado, let me at 'em!